hard tent Tuff Stuff Overland Alpha Hard Top Side Open Tent, Gray, 4 Person
SKU: 63646809867
hard tent

hard tent Tuff Stuff Overland Alpha Hard Top Side Open Tent, Gray, 4 Person

Sale price$22.00 Regular price$24.44
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Ships within 48 hours · Estimated delivery Jul 2 - Jul 7

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Description

hard tent Tuff Stuff Overland Alpha Hard Top Side Open Tent, Gray, 4 PersonThe Tuff Stuff Alpha is a hybrid side opening rooftop tent that can be set up in under 2 minutes. With a sloped aerodynamic shell, the Alpha ensures minimal wind resistance when driving. Its high profile allows bedding to be kept inside while closed. Overland with a tent thats quick and easy to camp comfortably. INCLUDES: Mounting hardware & brackets for installation (fits up to 3. 25" cross bars) Mattress Shoe bag, 1 qty Storage bag, 1 qty Window

The Tuff Stuff Alpha is a hybrid side-opening rooftop tent that can be set up in under 2 minutes. With a sloped aerodynamic shell, the Alpha ensures minimal wind resistance when driving. Its high profile allows bedding to be kept inside while closed. Overland with a tent that’s quick and easy to camp comfortably.

INCLUDES:
• Mounting hardware & brackets for installation (fits up to 3.25" cross bars)
• Mattress
• Shoe bag, 1 qty
• Storage bag, 1 qty
• Window rods, 6 qty
• Window awnings (removable)
• Rainfly
• Moon roof 
• Telescoping ladder with angled steps (will not bite into your arches!)
• LED Lights for interior & exterior (requires power from a USB power pack, not included)
• Patch kit & glue to perform repairs
• Not included, but available, is the Alpha™ Annex Room.

Available Colors: Black and Gray

 

Specifications

  • Sleeping Capacity: 3-4 People
  • Open dimensions L/W/H: 75x87x52 inches
  • Closed dimensions L/W/H: 75x55x15 inches
  • Mattress L/W/H: 71x87x 2.75
  • Weight: 176 Lbs
  • Weight Capacity: 1100 Lbs
  • Tent Material: 280 G Poly/Cotton Rip-Stop
  • Rainfly Material: 210D Polyester/Oxford PU coated 5000mm
  • Floor: Heavy-duty aluminum honeycomb
  • Shell: ABS
  • Zippers: YKK with custom para-cord pulls (reduces annoying dinging in wind)
  • LED Light: Amber & White light (inside and outside)
  • Windows: 3 window openings w/ mesh screens & window rods
  • Skylight with mesh and solid panel
  • Window Awnings: 2 side window openings have removable (zip-off) rain awnings (included)
  • Installation brackets fit crossbars up to 3.25" wide
  • Mounting rails: 32.5" apart
  • Steel cable locks w/ 2 pairs of keys
  • Ladder: Telescoping 7.5' tall w/angled steps (included)
  • Mounting hardware: Stainless steel (Included)
  • Not included, but available, the Annex room

Important:

The ALPHA™ tent is designed to open to the passenger side ONLY

The Alpha Shell is made of ABS material which will react (expand/contract) with the heat and cold temperatures. It is perfectly normal to notice changes in the roof or the spacing between the shell and the floor.

If you have experienced any large temperature changes in your area, this is most likely the case and is not a cause for alarm. It has no impact on the tent's performance.

Instructions

Mounting Tent

  • Mounting your tent requires a minimum of 2 people for lifting.
  • Your tent will ONLY OPEN ON THE PASSENGER SIDE. Position the tent on top of the vehicle's roof rack, bed rack, or trailer and center to your liking.
  • Using the supplied hardware and mounting plates, slide the hardware into the channel so there are 2 bolts per corner (one in front and one behind the vehicle's crossbars).
  • Run the bolts through the mounting brackets holes, thread nuts onto each bolt.
  • Confirm you are happy with the position of the tent, vehicle balance, and appearance then tighten all nuts to the brackets until the tent cannot move.
  • Undo the buckles on the side of the tent, push up on the handle to actuate the hydraulic rams to open the tent hard shell, Pull out on the telescoping ladder until it is fully extended- pull down on ladder until the folding side of the tent has opened and extended fully.
  • Reposition the ladder to your desired height/angle.
  • Install the supplied tension rods on the overhang of the tent & windows, open the door, and enjoy!


Click here for Alpha Manual

 

Required Maintenance

The Clear coat on our Alpha shells is a clear layer of paint sprayed on the ABS shell to protect it from UV rays, rocks, and dirt kicked up from the road. The clear coat will wear off with time and can also be chipped off by salt, road debris, and nature. You can protect your clear coat by regular washing and waxing.

Tips to protect your clear coat

Keep out of the sun as much as possible
Over time, the powerful UV rays in direct sunlight can wear down the clear coat.
Hot sunlight can also open small “pores” in your clear coat, allowing more dirt and debris to get in. So, to protect the clear coat and lengthen its lifespan, park in a garage or in the shade whenever possible.

Clear off bird and bug droppings immediately
Bird droppings are highly acidic. If they’re left on the clear coat, they can erode and destroy the layer of clear coat. If you spot any bird or bug droppings, rinse them off immediately with water from a hose.

Protect your clear coat from salty air
Salt will corrode the clear coat. So, if you live in a salty coastal climate, keep in mind that you will need to wash off/rinse your shell the same as you would a surfboard. Salty air and spray are some of the biggest nemeses of clear coating.

Avoid getting tree sap on your vehicle
For most, the risk of getting tree sap on your car is much lower than the risk of encountering bird droppings or salty air. However, tree sap is a double threat: the sap can soak into your clear coat and damage it directly, or it can attract dust and dirt and force these materials into your clear coat.

Hand wash and apply wax regularly
Washing will remove dust and dirt that stick to the clear coat over the course of driving. Dirt will quickly wear down your clear coat, so removing the dirt frequently will protect the clear coat and lengthen its lifespan.

Many automotive companies sell special clear-coat protection products that seal and protect your clear coat. To apply the product, simply rub it into the clear coat with a microfiber cloth. Follow the directions printed on the bottle and apply the clear-coat protection roughly as often as you wash your vehicle. You can purchase clear-coat protection products at any large automotive supply store or online.

Cracked Shell (Life Happens)

Repair

  • Clean area with soap, water, and plastic cleaner.
  • Grind damaged area, then repair with a PlastiFix® Rigid Plastic Repair Kit or similar product.
  • Prime.
  • Paint.

PlastiFix® is an optimal repair method. Weld repairs may be backed with epoxy for extra strength.

Clean Surface

In order to maximize the strength of any repair, thoroughly clean contaminants from the surface in the damaged area.

  • Clean both sides with soap and water. Dry with a clean cloth or compressed air.
  • Spray Plastic Cleaner onto the surface and wipe off while wet with a clean, lint-free cloth. Wipe in one direction to avoid spreading contaminants back over the clean area.

Align Damage and Deformation

If the plastic is distorted, heat with a heat gun and reshape the distorted area. When heating plastic, it is important that the plastic be heated all the way through. Hold the heat gun on the area until the opposite side of the plastic is uncomfortable to the touch.

Once heated, force the plastic back into position with a small roller or other appropriate tool, then cool the area with a damp cloth. Stretched areas can be shrunk with the shell cold. Keep working until smooth, then sand overall with 80 grit to help identify remaining low spots. Push out remaining low spots and repeat the process.


If the damaged area is cut or torn to the edge, align the cosmetic surface with Aluminum Body Tape and begin the repair process on the back. By aligning the outer surface, you minimize the amount of filler required to restore the proper profile to the part.

PlastiFix Rigid Plastic Repair Kit

Crack Repair

Reinforcing

Videos

FAQs

How do I keep my roof top tent shell looking nice?

Not unlike a Brazilian model, keep it clean and waxed. Just like anything that you want to keep nice you need to maintain it. This means washing and waxing on a semi-regular basis. Sticks and stones, bird dookie, bug splatter, salty air, bad jokes, etc. will all work to etch and ruin your sweet, beautiful Alpha shell. 

Can I run my vehicle and tent through a car wash?

Not unless you're filming something for Instagram and don't care if your tent gets ripped from the vehicle like a category 5 hurricane.

Similar to, "The Princess and the Pea" I too require a memory foam mattress. Why don't you sell one with your tents?

Have you ever fallen into a memory foam bed when it's cold? If so, then you know why we do not offer memory foam mattresses. Cold weather and memory foam are not friends. Not only does memory foam "freeze" up in the cold but it holds moisture and its little friend mold. RTT's have enough issues with condensation. You do not want to add a hard, wet, moldy sponge to the mix.

Shipping / Delivery

Rooftop Tents ship via LTL Truck Freight and will ship separately from any other items in your cart.
Please allow 2-3 business days for your Tent to be palletized and picked up by the freight company.  You will receive a tracking confirmation as soon as your shipment is picked up from the warehouse.

Freight/Delivery times are 7-10 business days from our warehouse to the Destination Terminal.
Final Delivery is by Appointment, please provide the best phone number on your order to avoid any missed calls which will delay your delivery.  Please note that the available delivery days will vary based on the distance from the Destination Terminal and the Final Delivery address (your shipping address), if you are in a rural or remote area, the carrier may only service your area once a week. 

Do NOT miss your delivery once scheduled or you will be charged for rescheduling. We get charged and will pass the charge on to you.  

For residential deliveries: The courier will only deliver to the sidewalk, driveway, or garage. A valid telephone number must be provided at the time of purchase. This needs to be a number that you can be reached at in order for the delivery driver to schedule a delivery time. Failure to provide a valid telephone number will result in your tent not being shipped until we can make contact with you.
If you cannot arrange to be available or fail to respond to the carrier, your tent will be returned to our warehouse and the return freight charges will be applied to your credit card.

Receiving and Inspection. You have a 15-minute window to inspect your shipment before signing and accepting the delivery.  Please take pictures of the shipment before your sign and accept delivery.
If your tent is Not received Strapped on a Pallet, REFUSE the shipment, and call us immediately at 866-220-0171, we will process a replacement shipment at once.
If there are any holes in the box, look in the hole to inspect if there is any damage to the tent.  If there is any Visible Damage to the Tent, REFUSE the shipment and call us immediately at 866-220-0171, we will process a replacement shipment at once.
Note any Damage (crushed corners, scuff marks, tears) to the box on the BOL Before Signing for your delivery.

Lastly, please open and inspect the tent As Soon As Possible.  If any damage is found once you open the packaging, stop, and take pictures. Make sure to take pictures of the packaging, the tent, anything that will provide context for the damage. Concealed damage and missing parts must be reported within 72 hours of delivery. After 72 hours we are not able to file a claim with the carrier and our options to repair or replace your tent will be limited.

Boxed Alpha - 77 x 58 x 17 x 214 lbs
Pallet - 80 x 20 x 57 x 80 lbs
Total Shipped - 80 x 20 x 57 x 294 lbs

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 63646809867

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T
San Leandro, US
★★★★★ 4
Great story
Format: Paperback
I’m not an avid reader, but this was finished in a few days. Such a good book!
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Reviewed in the United States on June 14, 2025
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AMD
Cuba, US
★★★★★ 3
Won’t be buying book two.
Format: Paperback
Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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Reviewed in the United States on July 8, 2025
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Dr.C.J.Singh.Wallia
Belleville, US
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY By Lisa Cron Reviewed by C J Singh (Berkeley, California) Excellent Primer on Novel-Writing In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/ Here's my review of Lisa Cron's "Wired For Story" "WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft. Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow. "Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information. Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23). . "Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own. Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65) . "Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious. "Story Secret: There's no writing; there's only rewriting" (p 219). Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow. "Myth: Write What You Know. "Reality: Write What You Know EMOTIONALLY" (p 62). . "Myth: Sensory Details Bring a Story to Life." "Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118). . "Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying. "Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152). Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene. At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti." An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 ) WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020
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Matt M
New York, US
★★★★★ 5
Will reading Wired for Story really make you smarter?
Format: Paperback
In my 36th year as a would-be and penniless writer, I found myself exiled to a dark rough and tumble city in the Far West, guns blazing as a steely-eyed wordslinger for hire. But then one day I stumbled upon Lisa Cron's book Wired for Story. The book's title had my curiosity. A few sample pages later grabbed my attention and has held it ever since. But the price wasn't right for a poor, humble English teacher living in China upon a Chinese salary. I had bills to pay, a mistress to please, and habits to feed. It seemed to me that Amazon.com was colluding with other dark powers to suck humanity dry; why else would they charge more for a digital book than its paper copy? But then I heard ghostly voices, the cinematic intonations of Morpheus telling me to choose between the red and blue pill; Obiwan Kenobi, "Use the Force"; Nike commercials, "Just Do It!"; and other such shadows flickering upon the wall of my TV room. Even this very particular retail website seemed to whisper across all the vastness of cyberspace, reminding me of my destiny via a personalized showcase of products, that I was not just born to buy... So I added it to my cart. About a download and two chapters later I found that I was still happy after the post-purchase buzz ran its course. This book should be required reading for all writers - and anybody else seeking an inoculation against the raging pandemic of competing narratives spewed out from marketers, pundits, prophets, and others posing as guardians of the truth - most of whom seem to be more enraptured than enlightened. For writers though, Wired for Story is quite different from other "how to" books, as Lisa Cron approaches the craft of storytelling from a neuroscientific point of view. She makes the case that writers aren't just entertainers: they are some of most powerful shakers and shapers of human perception. So if storytellers are like snake oil salesmen, then what is the difference? Both seem to be highly skilled in crafting story, using imagery, and evoking emotions, memories, desires. The difference is all about marketing. Salesmen claim to have knowledge, skills, and expertise, that they, and they alone have whatever it takes to get the facts right and fix things. They market their brands cloaked in story, as if they have a monopoly on truth, or at least the can-do spirit and problem-solving experience needed to improve the economy, save the world, whatever. It doesn't matter that time and time again reality proves them wrong; they will always have another story to spin. The difference between those who would use the power of story to express themselves versus those who would use it for personal gain is, perhaps, a fine red line marking the shadowy borders of between ethics and morality. Storytellers differ because they use words to hook audiences and manipulate a willing reader's central nervous system. They make no claims to knowledge or expertise. Indeed, fiction writers will be first to emphasize their work is fictional, and not based on any real life events or people. Their best writing leaves readers thinking, questioning, minds opening, empathizing, expanding their worldviews, the list goes on almost ad infinitum. Storytellers speak for themselves and let audiences think for themselves; pundits speak for others and tell audiences what to think. What's more, the art and craft of story, as well as the talent and hard time in solitary confinement required for their honing, is estimated to take an average storyteller at least 1,000,000 words or 10,000 hours - not including all the reading, language arts development, and life experience necessary to get to a point one needs to seriously embark on such a ludicrous and un-economical vocation. This means that fiction writers who risk everything for dubious prospects of financial reward must have something else driving them - and a good day job. A presidential candidate though, who has genuinely done the time, and crafts speeches with the skill of a poet or bard, should hypothetically have the critical thinking background, moral authority, and empathy to be a great leader. But in the final analysis, actions contradict words; their ability to spin tales proves the old universal theme that the pen is mightier than the sword. Now when I finish Wired for Story sometime this week, I will be one step further on this endless quest to actually sell stories for a living (i.e. stories fit for the fiction aisle of an actual bookstore, not a review for an online retailer). Until then, I'm probably just a hypocrite acting as if a single book alone makes a smarter man, when in fact I know little of anything (which is why I became a writer in the first place) -- or maintaining such a humble pretense. But I don't know myself well enough to be certain. That kind of exploration would be a whole other story - but it would be unsafe to say that I lived happily ever after reading this book. The End
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Reviewed in the United States on October 11, 2012
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arch_reviews
Grantham, US
★★★★★ 4
A Cheeky Novel about writing cheeky novels
Format: Paperback
Wired for Story is a book full of solid, albeit basic, advice for story tellers, and in particular writers trying to develop their craft. It succeeds in some areas while falls down in others, however I found it solid and well written overall. Where it succeeds is in its brevity and clarity. The author gets right to the point and even provides short lists at times of what to do and how to do it. Her writing is also peppered with cheeky humor which is humorous in a thats-almost-funny kind of way that is refreshing compared to the textbook style adopted by many how-to-write books. Where the book fell down, for me, was in its limited examples and scope. It really felt like the author was addressing romance writers, for the most part. I could think of a few counter examples to some of her rules, although one would have to leave the romance genre for those to work. But for a 230 page book, that is minor discrepancy. The second thing I noticed, which has already been pointed out by others, is that the brain science was limited. In fact, it was mostly only refereed to in footnote. Personally, that was fine with me, but I could see why it made others feel misled (it is in the title, after all).
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Reviewed in the United States on December 5, 2014

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